Why this should be she did not know. There was too great a tumult of conflicting ideas in her mind for her to sort them out. She only knew that she did not care what the world thought of her or what Ashley or Rhett thought of her, but Melanie must not think her other than she had always thought her. She dreaded to tell Melanie the truth but one of her rare honest instincts arose, an instinct that would not let her masquerade in false colors before the woman who had fought her battles for her.
So she had hurried to Melanie that morning, as soon as Rhett and Bonnie had left the house. Scarlett looking shamefaced into the dark eyes that were flashing with love and anger, knew with a sinking heart that the peace and calm following confession could never be hers.
Melanie had forever cut off that line of action by her first words. With one of the few adult emotions Scarlett had ever had, she realized that to unburden her own tortured heart would be the purest selfishness. She would be ridding herself of her burden and laying it on the heart of an innocent and trusting person. She owed Melanie a debt for her championship and that debt could only be paid with silence.
She held a line of tatting in her hands and she was driving the shining needle back and forth as furiously as though handling a rapier in a duel. Had Scarlett been possessed of such an anger, she would have been stamping both feet and roaring like Gerald in his finest days, calling on God to witness the accursed duplicity and knavishness of mankind and uttering blood-curdling threats of retaliation.
But only by the flashing needle and the delicate brows drawn down toward her nose did Melanie indicate that she was inwardly seething. Her voice was cool and her words were more close clipped than usual. But the forceful words she uttered were foreign to Melanie who seldom voiced an opinion at all and never an unkind word. All this has happened because people are jealous of you, because you are so smart and successful. Scarlett stared at her, alarmed by so unprecedented an outburst.
How did they dare? Of course, Mrs. And she was so incensed at your demoting Hugh from the management of the mill. But you were quite right in demoting him. A murderer, and the murderer of a woman, too! Well, I packed him off with a large flea in his ear, I can tell you! And she hated you especially about Stuart Tarleton. I told her never to put foot in this house again and that if I heard her breathe so vile an insinuation I would — I would call her a liar in public! Melanie stopped speaking and abruptly the anger left her face and sorrow swamped it. Melanie had all that passionate clan loyalty peculiar to Georgians and the thought of a family quarrel tore her heart.
She faltered for a moment. But Scarlett was dearest, Scarlett came first in her heart, and she went on loyally:. Would she never stop stabbing him to the heart? Her only thought had been to make him happy and safe but at every turn she seemed to hurt him.
The Problem with Gone with the Wind | Justine Larbalestier
She had wrecked his life, broken his pride and self-respect, shattered that inner peace, that calm based on integrity. And now she had alienated him from the sister he loved so dearly. Knowing how Ashley valued honor above his life, Scarlett knew he must be writhing. While Scarlett realized the necessity for this and knew that the blame for his false position lay mostly at her own door, still — still — Womanlike she would have respected Ashley more, had he shot Archie and admitted everything to Melanie and the world.
She knew she was being unfair but she was too miserable to care for such fine points. And, for the first time, some of the bright glow which had enveloped him since the first day she fell in love with him began to fade imperceptibly. The tarnish of shame and guilt that enveloped her spread to him as well. Resolutely she tried to fight off this thought but it only made her cry harder.
No, not to each other or to anybody. And anybody who believes them or receives them is my enemy. Scarlett, looking sorrowfully down the long vista of years to come, knew that she was the cause of a feud that would split the town and the family for generations. Melanie was as good as her word.
She never again mentioned the subject to Scarlett or to Ashley. Nor, for that matter, would she discuss it with anyone. She maintained an air of cool indifference that could speedily change to icy formality if anyone even dared hint about the matter. She did not speak, she acted. She made Scarlett go to the store and the lumber yard, as usual, every morning and she went with her. She insisted that Scarlett go driving in the afternoons, little though Scarlett wished to expose herself to the eager curious gaze of her fellow townspeople.
And Melanie sat in the carriage beside her. Melanie took her calling with her on formal afternoons, gently forcing her into parlors in which Scarlett had not sat for more than two years. She made Scarlett arrive early on these afternoons and remain until the last callers had gone, thereby depriving the ladies of the opportunity for enjoyable group discussion and speculation, a matter which caused some mild indignation. These calls were an especial torment to Scarlett but she dared not refuse to go with Melanie. She hated to sit amid crowds of women who were secretly wondering if she had been actually taken in adultery.
She pursues Rhett from the Wilkes home to their home, only to discover he has given up hope of ever receiving her love, and is about to leave her.
After telling him she loves him, he refuses to stay with her, which leads to the famous line, "My dear, I don't give a damn. Scarlett's character portrayed in both the novel and film is, at face-value, unscrupulous and selfish, but her character development ultimately portrays multiple stigmas throughout that support Mitchell's theme.
However, this is clearly challenged by Scarlett because of the dire conditions she is meant to face and endure. Scarlett does not uphold the same code of standard as she did in the beginning of the novel because her motivations changed from societal and class standings to economic status and physical survival. While Margaret Mitchell used to say that her Gone with The Wind characters were not based on real people, although modern researchers have found similarities to some of the people in Mitchell's own life. Rhett Butler is thought to be based on Mitchell's first husband, Red Upshaw because Upshaw left Atlanta for the Midwest and never returned.
While the studio and the public agreed that the part of Rhett Butler should go to Clark Gable except for Clark Gable himself , casting for the role of Scarlett was harder. The search for an actress to play Scarlett in the film version of the novel famously drew the biggest names in the history of cinema, such as Bette Davis who had been cast as a Southern belle in Jezebel in , and Katharine Hepburn , who went so far as demanding an appointment with producer David O.
Selznick and saying, "I am Scarlett O'Hara! The role is practically written for me. Susan Hayward was "discovered" when she tested for the part, and the career of Lana Turner developed quickly after her screen test. Tallulah Bankhead and Joan Bennett were widely considered to be the most likely choices until they were supplanted by Paulette Goddard.
The young English actress Vivien Leigh , virtually unknown in America, saw that several English actors, including Ronald Colman and Leslie Howard , were in consideration for the male leads in Gone with the Wind. Her agent happened to be the London representative of the Myron Selznick talent agency, headed by David Selznick's brother, Myron.
Leigh asked Myron to put her name into consideration as Scarlett on the eve of the American release of her picture Fire Over England in February David Selznick watched both Fire Over England and her most recent picture, A Yank at Oxford , that month, and thought she was excellent but in no way a possible Scarlett, as she was "too British".
Leigh and her then lover Laurence Olivier later to be her husband were visiting as guests of Myron Selznick, who was also Olivier's agent, while Leigh was in Hollywood hoping for a part in Olivier's current movie, Wuthering Heights. In a letter to his wife two days later, David Selznick admitted that Leigh was "the Scarlett dark horse", and after a series of screen tests, her casting was announced on January 13, Identically, Miss Leigh's parents are French and Irish.
In any case, Leigh was cast—despite public protest that the role was too " American " for an English actress—but Leigh was able to pull off the role so well that she eventually won an Academy Award for her performance as Scarlett O'Hara. A great number of actresses were considered. In fact, there were approximately 32 women who were considered and or tested for the role.
The search for Scarlett began in the year of the book's publication and ended in December Between and , the following actresses were considered for the role, which required playing Scarlett from 16 years of age until she was 28 actress age in , the year of Gone With the Wind ' s release, when Leigh was Between late and mid, approximately actresses were nominated for the role of Scarlett through letters of suggestion sent to Selznick International Pictures from the public.
Troy Patterson of Entertainment Weekly argued that Ally McBeal , the main character of the television series with the same name , has similarities to O'Hara and that "Scarlett and Ally are fairy-tale princesses who bear about as much resemblance to real women as Barbie and Skipper. The name is a reference to Scarlett O'Hara. The names "Harla," "Scarla," and "O'Horror" are also used in the vernacular to refer to her. From Wikipedia, the free encyclopedia.
Fictional character in Gone with the Wind. For the instrumental composition, see Scarlett O'Hara instrumental. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.
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Retrieved With a tightly-laced corset, she could fit into a dress with a inch dress. Mitchell , p. March 12, Margaret Mitchell: American rebel [Television series episode]. Lacy Producer , American Masters. Scarlett Rules. American Quarterly, 33 4 , March 29, Kate: The Life of Katharine Hepburn.
Selznick to Ed Sullivan". Jan 7, Archived from the original on